Rule of thirds, make your photographs look more dynamic by placing the important or focal point of the image appear on a line that cuts either horizontally or vertically through the image at a point 1/3 the width or height of the image either from the left or the right, or top or bottom.

Diagram of the rule of thirds

Look at the next 2 photos and compare them for impact.

Photograph of Basingstoke Gate

The 1st photograph cuts the image into 2 so looks like it is 2 seperate pictures.

Photograph of Basingstoke Gate showing rule of 1/3

Here the image has been cropped so that the edge of the gate is closer to one edge of the picture, it looks less like 2 photographs stuck together and more like a shot of the gate with some of the background in view, a more pleasing shot to look at.

Of course not all images need to be taken in this way i.e. portraits and close ups can be taken such that the subject is in the middle of the photograph, but even here it is worth considering putting the eyes on the top horizontal 1/3 line or other parts of the body on other 1/3 lines, try it and see. I will add other composition improvements to this blog later this month.

There is a little known phenomena about red and blue colours that effect the way we see things. Things that are close to us generally have stronger colours than things that are further away, in fact in landscapes things in the far distance often look very blue. So when we see two things together and one is coloured red and the other blue we tend to think that the blue item it further away than the red item. So you can give a feeling of distance or depth by putting red things closer to you and blue things further away. Take a look at the next 2 photographs. In the 1st one the 2 people are side by side, but it looks like the girl in red is closer. In the 2nd photograph the girl is actually about 3 paces behind but looks like she is level with the man. The further you are away from the photographs the more pronounced is the effect.

photograph of 2 people girl in red behind the man in blue

photograph of 2 people standing side by side

When it comes to landscapes generally the best light to take such photographs in is either during the one to 1.5 hours before sunset or during the one to 1.5 hours after sun rise. At this time of day the light turns from being very bright and white to a softer light with a hint of orange or pink and it is not so contrasty. Compare the 2 shots taken below, one was at 3.00pm in July the other was about 8.00am in October. In the midday(ish) photo St Paul’s is very bright and white and the contrast between that and the shadows under the bridge is great. In the photograph taken early in the morning St Paul’s is much less bright and the sun is still low enough to almost be under the bridge so the shadows are not so dark, so the contrast is much less and therefore easier on the eye. The early morning shot is much warmer, the midday shot looks a little cold even though the sun was out.

photograph of the Millennium Bridge about 2 hours after midday

photograph of the Millennium Bridge about 1 hour after sun rise

One of the major problems with taking photographs inside is that you usually need a flash to illuminate the subject and if that subject is a person wearing glasses and you use an on board (the camera) flash then you often end up with reflections of the flash in the glasses which can obliterate the eyes of the subject. There are a couple of things you can do to reduce the affect:

1/ get the person to lift the arms of their glasses so that the lens are no longer parrallel to the camera, so reflected light goes in another direction rather than directly back to the camera.

2/ take the picture from a slightly different angle so that you are not firing the flash directly at the lens.

3/ tweak it in photoshop afterwards (last resort)

Number 3 really is the last resort but if you are careful and have a little bit of eye that you can clone from you can clone out the flash and then smooth it over with the healing brush. The 2 pictures below show the sort of nasty reflection you can get and how some of it can be removed in photoshop afterwards.

photograph of 2 people with flash reflections in their glasses

Then after a little work in photoshop they look like this:

photograph of people with glare on glasses reduced.